Ardath

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Marie Corelli 1889
English
  • The Monastery
  • The Confession
  • The Departure
  • "Angelus Domini"
  • A Mystic Tryst
  • "Nourhalma" and the original Esdras
  • An Undesired Blessing
  • By the Waters of Babylon
  • The Field of Flowers
  • God's Maiden Edris
  • The Marvelous City
  • Sah-Luma
  • A Poet's Palace
  • The Summons of the Signet
  • Sah-Luma Sings
  • The Prophet of Doom
  • A Virgin Unshrined
  • The Love That Kills
  • A Strange Temptation
  • The Passage of the Tombs
  • The Crimson River
  • Wasted Passion
  • Nourhalma
  • The Fall of the Obelisk
  • A Golden Tress
  • The Priest Zel
  • In the Temple of Nagaya
  • The Sacrifice
  • The Cup of Wrath and Trembling
  • Sunrise
  • Fresh Laurels
  • Zabastesism and Paulism
  • Realism
  • Rewards of Fame
  • One Against Many
  • Heliobas
  • A Missing Record
  • The Wizard of the Bow
  • By the Rhine
  • In the Cathedral
Victorian-era writer Marie Corelli’s epic work Ardath, The Story of a Dead Self, is filled with supernatural and gothic themes. We meet Theos Alwyn, an atheist poet who is lost and disconsolate with life. He begins his journey by seeking out a monastery in the Caucasus mountains; his spiritual quest then takes him to the mythical field of Ardath, which becomes a door into a dream of another version of his self that transcends space and time. - Summary by Lisa Statler

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