- The Monastery
- The Confession
- The Departure
- "Angelus Domini"
- A Mystic Tryst
- "Nourhalma" and the original Esdras
- An Undesired Blessing
- By the Waters of Babylon
- The Field of Flowers
- God's Maiden Edris
- The Marvelous City
- Sah-Luma
- A Poet's Palace
- The Summons of the Signet
- Sah-Luma Sings
- The Prophet of Doom
- A Virgin Unshrined
- The Love That Kills
- A Strange Temptation
- The Passage of the Tombs
- The Crimson River
- Wasted Passion
- Nourhalma
- The Fall of the Obelisk
- A Golden Tress
- The Priest Zel
- In the Temple of Nagaya
- The Sacrifice
- The Cup of Wrath and Trembling
- Sunrise
- Fresh Laurels
- Zabastesism and Paulism
- Realism
- Rewards of Fame
- One Against Many
- Heliobas
- A Missing Record
- The Wizard of the Bow
- By the Rhine
- In the Cathedral
Victorian-era writer Marie Corelli’s epic work Ardath, The Story of a Dead Self, is filled with supernatural and gothic themes. We meet Theos Alwyn, an atheist poet who is lost and disconsolate with life. He begins his journey by seeking out a monastery in the Caucasus mountains; his spiritual quest then takes him to the mythical field of Ardath, which becomes a door into a dream of another version of his self that transcends space and time. - Summary by Lisa Statler
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