- Chapter I: A Vision of the Night
- Chapter II: The Woman Who Came through the Window
- Chapter III: The Conquest of Mrs. Peddar
- Chapter IV: Dr. Hume
- Chapter V: A Curious Case
- Chapter VI: The Doctor Accuses
- Chapter VII: The Suspicions of Mr. Morley
- Chapter VIII: The Recognition of the Photograph
- Chapter IX: The Revelations of 'Mr. George Withers'
- Chapter X: Where Miss Moore was Going
- Chapter XI: In the One Room—and the Other
- Chapter XII: What was on the Bed
- Chapter XIII: She and I
- Chapter XIV: He and I
- Chapter XV: The Letter
- Chapter XVI: My Persuasive Manner
- Chapter XVII: My Unpersuasive Manner
- Chapter XVIII: I am Called
- Chapter XIX: I Leave the Court
- Chapter XX: A Journey to Nowhere
- Chapter XXI: A Check at the Start
- Chapter XXII: A Miracle
- Chapter XXIII: In the Passage
- Chapter XXIV: In the Room
- Chapter XXV: The Goddess
- Chapter XXVI: The Legacy of the Scarlet Hands
After a night of drinking and gambling, John Ferguson has a terrifying dream of his neighbor being violently torn to shreds by an unknown attacker. When he wakes up, he sees a strange and bloodied woman climbing through his window, suffering from amnesia. These strange occurrences are brought to a chilling climax when, the next day, Ferguson learns that his dream came true, and his neighbor was indeed brutally murdered during the night! With suspicion mounting against the mysterious woman, Ferguson sets out to uncover her true identity and find the vicious killer in the process.
Originally serialized in the Manchester Weekly Times and Salford Weekly News in twelve installments, The Goddess is another vivid example of Richard Marsh's gripping Gothic style, combining elements of crime, romance, and the supernatural while commenting explicitly on many issues of its time, including imperialism, the fin de siècle, and the New Woman. - Summary by Tomas Peter
Originally serialized in the Manchester Weekly Times and Salford Weekly News in twelve installments, The Goddess is another vivid example of Richard Marsh's gripping Gothic style, combining elements of crime, romance, and the supernatural while commenting explicitly on many issues of its time, including imperialism, the fin de siècle, and the New Woman. - Summary by Tomas Peter
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