- Prophets and their Visions
- The Answering Fact
- The Ashes of New England
- The Ferment Undergound
- In the Literary Abattoire
- Underlying Causes
- The Lonesome Artist
- The Cultural Background
- Under the Campus Pump
- The Intolerable Burden
- Epilogue
- Roosevelt: An Autopsy
- The Sahara of the Bozart
- The Divine Afflatus
- Scientific Examination of a Popular Virtue
- Exeunt Omnes
- On Music-Lovers
- Opera
- The Music of To-morrow
- Tempo di Valse
- The Puritan as Artist
- The Human Face
- The Cerebral Mime
- The Cult of Hope
- The Holy War
- The Lure of Babylon
- Cupid and Well-Water
- The Triumph of Idealism
- The Nature of Love
- The Incomparable Buzzsaw
- Women as Spectacles
- Woman and the Artist
- Martyrs
- The Burnt Child
- The Supreme Comedy
- A Hidden Cause
- Bad Workmanship
Mencken is famous for his sometimes-savage attacks on almost everything humans can in their stupidity and priggishness and prejudice conjure up. Here one sees in the Second Series that his focus is on the lack of real artistry and broad humanity in American art and society and on the failures of such fanatical crusades as Prohibition and finally on a more humorous note on the absurd habits of mating between the sexes. (Summary by Jim Locke)
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