Problems of the Playwright
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108
1917
English
- Preface
- Contrast in the Drama
- Building a Play Backward
- The Point of View
- Surprise in the Drama
- The Troublesome Last Act
- Strategy and Tactics
- Proportion in the Drama
- Harmony in Presentation
- High Comedy in America
- The George M. Cohan School of Playwrights
- Youth and Age in the Drama
- Yvette Guilbert — Première Diseuse
- The Loveliness of Little Things
- The Magic of Mr. Chesterton
- Middle Class Opinion
- Criticism and Creation in the Drama
- A Kiss for Cinderella
- Dramatic Talent and Theatrical Talent
- Stevenson on the Stage
- The Plays of Lord Dunsany
- The Mood of Maeterlinck
- Euripides in New York
- Romance and Realism in the Drama
- Scenic Settings in America
- The New Stagecraft
- The Long Run in the Theatre
- The Non-commercial Drama
- The Public and the Theatre
- A Democratic Insurrection in the Theatre
- Literature and the Drama
- A Scheme for a Stock Company
- What Is Wrong with the American Drama?
A third volume of essays by American critic Clayton Hamilton, published as a companion piece to The Theory of the Theatre & Studies in Stagecraft, and focusing (as one might expect) on the problems of the playwright. (Summary by Andrew Gaunce)
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