- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53 – Chapter 54
- Chapter 55 – Chapter 56
- Chapter 57
- Chapter 58 – Chapter 59
One of the greatest English tragic novels, TESS OF THE D’URBERVILLES (1891) is the story of a “pure woman” who is victimized both by conventional morality and its antithesis. Born near Dorchester, Thomas Hardy (1840-1928) set most of his stories in the region between Berkshire and Dorset in the fictional county of Wessex. He was a controversial writer whose work often showed the result of flouting the rigid Victorian moral code — his novel JUDE THE OBSCURE was (allegedly) burned by the Bishop of Wakefield for its shocking content. Hardy was an unflinching observer and in TESS has left us some unforgettable vignettes of rural life in late 19th-century England: the slow death of a flock of wounded pheasants, the monotony of field labour under an iron gray sky, and the itinerant farm worker’s seasonal round. (Summary by Adrian Praetzellis)
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