- Preface
- Volume 1 Chapter 1: Dark Shadows
- Volume 1 Chapter 2: Vernwood
- Volume 1 Chapter 3: Memories Flown
- Volume 1 Chapter 4: Dark Days
- Volume 1 Chapter 5: Home
- Volume 1 Chapter 6: Love and Treasure
- Volume 1 Chapter 7: Shadowing Gloom
- Volume 1 Chapter 8: The Broken Spell
- Volume 1 Chapter 9: A Spirit Desolate
- Volume 1 Chapter 10: Love's Labour Lost
- Volume 1 Chapter 11: Is He Mad?
- Volume 1 Chapter 12: The Pangs of Remorse
- Volume 1 Chapter 13: The Bloody Hand
- Volume 1 Chapter 14: The Finger of Scorn
- Volume 2 Chapter 1: The Shadow of Death
- Volume 2 Chapter 2: The Scales of Justice
- Volume 2 Chapter 3: In Another Land
- Volume 2 Chapter 4: The Ghostly Midnight Form
- Volume 2 Chapter 5: "Shadowing" a Ghost
- Volume 2 Chapter 6: A Dream of Gold
- Volume 2 Chapter 7: Light Athwart the Gloom
- Volume 2 Chapter 8: What "The World" Told
- Volume 2 Chapter 9: Reading Between the Lines
- Volume 2 Chapter 10: "Captain West"
- Volume 2 Chapter 11: The Grave: But Where's the Dead?
- Volume 2 Chapter 12: Blank
- Volume 2 Chapter 13: Only a Dog
- Volume 3 Chapter 1: The Lost Heirloom
- Volume 3 Chapter 2: The Seal of the Dead
- Volume 3 Chapter 3: A Trap to Entrap a Sunbeam
- Volume 3 Chapter 4: What the Trapped Sunbeam Told
- Volume 3 Chapter 5: De Profundis
- Volume 3 Chapter 6: A Woman's Devotion
- Volume 3 Chapter 7: More Light
- Volume 3 Chapter 8: Birds of a Feather Brought Together
- Volume 3 Chapter 9: St. Xavier's
- Volume 3 Chapter 10: A Mother's Tears - At Last There is Rest
It is not the pleasing office of the writer of fiction to unfold for the delectation of his readers the pages and pictures of the volume of life; and none know better than the true novelist that the wildest schemes which his imagination can conceive, the marvellous combinations which a turn of the magic kaleidoscope of eventualities, and what we misname fortune, may produce, are again and again out acted in real life.
With this apology the incidents of the following story are committed to the criticism of an indulgent, and the writer trusts, a not too severely critical world.
THE AUTHOR
"The hardiest spirit may well quail before the stupendous task of giving any accurate idea of what is, apparently, the first-fruits of Mr. Duthie-Lisle's imagination" (The Saturday Review Dec. 30, 1893)
"...obtrudes itself on almost every page as deficient in sense as of grammar" (The Academy Oct., 21, 1893)
"...this incredibly foolish book" (The Speaker Sept. 16, 1893)
"One of the missions of the literary critic is to warn off intending readers from books that are utterly worthless, and 'The Heirloom' comes within this category" (The Athenaeum Sept. 9, 1893).
With this apology the incidents of the following story are committed to the criticism of an indulgent, and the writer trusts, a not too severely critical world.
THE AUTHOR
"The hardiest spirit may well quail before the stupendous task of giving any accurate idea of what is, apparently, the first-fruits of Mr. Duthie-Lisle's imagination" (The Saturday Review Dec. 30, 1893)
"...obtrudes itself on almost every page as deficient in sense as of grammar" (The Academy Oct., 21, 1893)
"...this incredibly foolish book" (The Speaker Sept. 16, 1893)
"One of the missions of the literary critic is to warn off intending readers from books that are utterly worthless, and 'The Heirloom' comes within this category" (The Athenaeum Sept. 9, 1893).
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