- Introduction
- The Summons - I - To --
- The Summons - I - The Past
- The Summons - II - The Reckoning
- Farewell To Place of Comfort
- The Approach - I - In the Grass: Halt by Roadside
- The Approach - II - The Day's March
- The Approach - III - Nearer
- Battle - I - Noon
- Battle - II - Night Bombardment
- Battle - III - Comrades: An Episode
- Battle - IV - Behind the Lines: Night, France
- Battle - V - At the Wars
- Battle - VI - Out of Trenches: The Barn, Twilight
- Battle - VII - Battery moving up to a New Position from Rest Camp: Dawn
- Battle - VIII - Eve of Assault: Infantry going down to Trenches
- Battle - IX - The Assault
- Battle - X - The Last Morning
- Battle - XI - Fulfilment
- The Dead - I - The Burial in Flanders
- The Dead - II - Boy
- The Dead - III - Plaint of Friendship by Death Broken
- The Dead - IV - By the Wood
- The Aftermath - I - At the Ebb
- The Aftermath - II - Alone
- The Aftermath - III - Thanksgiving
- The Aftermath - IV - Annihilated
- The Aftermath - V - Shut of the Night
- The Aftermath - VI - The Full Heart
- The Aftermath - VII - Sonnet: Our Dead
- The Aftermath - VIII - Deliverance
This is a volume of war poetry by English poet and playwright Robert Nichols. To quote Wikipedia: "On 11 November 1985, Nichols was among 16 Great War poets commemorated on a slate stone unveiled in Westminster Abbey's Poet's Corner. The inscription on the stone was written by a fellow Great War poet, Wilfred Owen. It reads: 'My subject is War, and the pity of War. The Poetry is in the pity.'" This particular volume of poetry contains his most well-known poems, and is also perhaps one of the most haunting collections of war poetry in the English language. - Summary by Carolin
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