Seen on the Stage
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174
1920
English
- Preface
- Life and the Theatre
- Personal Greatness on the Stage - Sir Harry Lauder
- Hero-Worship in the Drama - "Abraham Lincoln"
- Napoleon on the Stage
- Acting and Impersonation - George Arliss
- John Barrymore in "Richard III"
- The Permanence of Craftsmanship - Henry Bernstein
- The Laziness of Bernard Shaw
- Satire on the American Stage
- The Career of "Camille"
- Henri Lavedan in the American Theatre
- A Drama for Adults - "The Torches" by Henry Bataille
- Le Théâtre du Vieux Colombier
- Alfred de Musset in the Theatre
- In Praise of Puppet-Theatres - Tony Sarg
- "The Betrothal" of Maurice Maeterlinck
- The Secret of "Salomé"
- "The Jest" of Sem Benelli
- Two Plays by Jacinto Benavente - "The Bonds of Interest" and "The Passion Flower"
- Understanding the Russians - Maxim Gorki's "Night Lodging"
- Two Plays by Count Leo Tolstoi - "The Living Corpse" and "The Power of Darkness"
- Ibsen Once Again
- Two Plays by St. John G. Ervine - "John Ferguson" and "Jane Clegg"
- The Jewish Art Theatre
- A Great American Play - "Beyond the Horizon" by Eugene G. O'Neill
- Booth Tarkington as a Playwright
- The Athenian Drama and the American Audience
- A Reminiscence of the Middle Ages - "Guibour"
- The Grandeur of English Prose - The Book of Job
- "The Laughter of the Gods"
- Lord Dunsany - Personal Impressions
- Edmond Rostand - April 1, 1868 - December 2, 1918
A fourth collection of essays on theatre by American critic Clayton Hamilton, intended as a suffix to his earlier works, The Theory of the Theatre, Studies in Stagecraft and Problems of the Playwright. - Summary by Andrew Gaunce
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