Theory of the Theatre, and Other Principles of Dramatic Criticism
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184
1910
English
- Preface
- What is a Play?
- The Psychology of Theatre Audiences
- The Actor and the Dramatist
- Stage Conventions in Modern Times
- Economy of Attention in Theatrical Performances
- Emphasis in the Drama
- The Four Leading Types of Drama
- The Modern Social Drama
- The Public and the Dramatist
- Dramatic Art and the Theatre Business
- The Happy Ending in the Theatre
- The Boundaries of Approbation
- Imitation and Suggestion in the Drama
- Holding the Mirror Up to Nature
- Blank Verse on the Contemporary Stage
- Dramatic Literature and Theatric Journalism
- The Intention of Permanence
- The Quality of New Endeavor
- The Effect of Plays Upon the Public
- Pleasant and Unpleasant Plays
- Themes in the Theatre
- The Function of Imagination
A collection of essays by American critic Clayton Hamilton concerning theatre & dramatic practices, and the criticism thereof, from an early 20th century perspective. - Summary by Andrew Gaunce
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